I tried on Rubble eventually, although I haven't had another look at it since the weather cooled down enough to actually wear it and I haven't photographed it. I think it's OK. I'll have a look at it soon and report back.
I have been blasting on with Boxy. I'm making the seamed version, because like Jean and Sally Melville I think that garments hang much better if they're properly structured and seams help to give them structure. I don't seem to hate purling at all nowadays, and in fact probably feel exactly the same about purling as I do about knitting. Also, something with as many stitches as Boxy would get wildly twisted if knitted in the round, and I would get RSI in my shoulder, so flat it is.
I spent some time labouring over what size to choose, peering at other people's choices, but I eventually decided to do as Joji says, and chose the size that fits my arm circumference even although it's a bit bigger elsewhere. I'm making it slightly shorter than the pattern: the largest size is three inches longer than the smallest and one of the things I learnt from watching What Not To Wear is that long tops make your legs look short. Well, maybe not your legs, but certainly mine.
The purl rows at the shoulder don't really show up because of the marl, but I expect they add to the structure too. The pattern is well written and even I didn't make any mistakes doing the second side. At least, I don't think I did.
The yarn is lovely. The two plies are fairly loosely twisted together
but I expect them to fluff up and become more dense once it's finished
and washed: it needs a hand-hot wash to get the oil off. It's not totally
cashmere-soft at the moment but certainly very nice to work with, and
very airy. If the shape turns out to be a terrible mistake I can just
chop the arms off and use it as a blanket.
Last Tango in Halifax is being shown in the US and they're filming a second series. I think I was watchhing The Fall last time I wrote; it was terrifiic but I hope I'm not giving anything away if I say the last episode was a huge letdown. What Remains finished on Sunday and we're still reeling from the ending.
Those of you who follow the Idiosyncratic Fashionistas and live in the UK might like The Fabulous Fashionistas documentary showing on Channel 4 this week, on - oh, tonight, at 10.00.I expect it'll be available on 4OD.
And on Wednesday there's a doco on BBC4 called Knitting's Golden Age. It seems to be the first in a series about textiles but the website isn't giving much away, and the Radio Times mention is full of the usual patronising nonsense, but we shall see.
Thanks very much for the comments about the photographs. Yes, I'm very lucky, Mette. I wish I were well enough to organize them properly and annotate them, but at least I can post some of them here. Here's another one.
This is my great-grandfather, Robert Glen, in the late 1920s. He's the one in the wing-collar, bowler hat and very shiny shoes. He was a butcher and cattle-dealer so those must be some of his beasts, as we used to say in Scotland. His son married the dark-eyed girl you saw in an earlier post. He was still working when he died on the 2nd of July 1929, at the age of
94, and he only died because his wife had died on the 13th of June. My
grandfather buried them 3 weeks apart.