Did you hear that noise? Sort of rhythmic, and impatient? It was me, drumming my fingers as I waited for the second skein of Kelp to turn up. The colours work brilliantly.
I'm happy with this, although still not absolutely sure that I'll give it to the person I have in mind.
To fill in the time, I started a Comet cowl in Kidsilk Aura. One of my loved ones is having surgery, to be followed by a fairly long convalescence, so I thought something soft and light might help keep her warm while she works her way through a stockpile of dvds.
The lace is a very simple pattern but I wouldn't recommend it to a beginner as the Rowan Kidsilk Aura isn't the easiest to work and needs the right needles. I use Addi Turbos a lot, but if I'd used them for this I think I would have flung it at the wall by now. Fortunately, the needle I happened to pick up was a rosewood circ with very sharp pointy points, and they can handle the loops and snaggles and insane fluff with ease. I really like the yarn, so I'm very glad to have found a way to work with it.
Every row starts with casting a stitch on and then casting one off, which gives a nice runcible edge. It's knitted flat and then joined beginning-to-end.
I could imagine these being quite moreish, if I weren't already addicted to the Stripe Study.
Here's a joke you've probably heard before.
The Guardian recently covered Edinburgh in their City Guide series. This includes a list of Ten of the Best Films Set in Edinburgh. When I first read the list I thought it was the ten best and I got somewhat cross, but 'ten of the best' is vague enough that I calmed down. You can read the descriptions and see clips here, but the titles are
The Prime of Miss Jean Brodie
Chariots of Fire
Burke and Hare
I haven't seen Regeneration yet, or One Day. I don't plan to see Burke and Hare. I think Festival is absolutely dreadful. Jean Brodie, Trainspotting, Chariots and The Illusionist I like a lot, and Shallow Grave is one of my favourite movies ever. I used to watch it after a bad day at work and it always cheered me up: I'm not sure what this says about me or my job, but there you are.
My favourite of the films missing from the list is The Battle of the Sexes, an early Peter Sellers film adapted from a James Thurber short story, The Catbird Seat. Made in 1959, it's in black and white and directed by Charles Crichton, who made so many of the Ealing Comedies and at the age of 78, A Fish Called Wanda. It was photographed by the great Freddie Francis. I was going to add a clip here, but this is the whole film! You'd better get a cup of coffee.
It's a bit dark, but in the circumstances we can't really complain. Sellers makes his first appearance about 2: 45 in, in the Royal Mile. You can see Edinburgh as it looks in The Illusionist, which I raved about here.
I saw Midnight in Paris, the new Woody Allen film, last week. I don't quite understand why everyone's raving about it as much as they are, but I enjoyed it and will happily watch it again. I wish Woody Allen would visit Edinburgh; it's hard to see how he could resist setting a film here if he did.
To end with a dance, for those of us who like musicals and film noir, here's a nice mashup showing George Raft dancing in a film called Side Streets. Yes, really it does. Just stay with it.
Raft was known for tough guy roles, and was refused entry to the UK in 1967 because of his gangster associations, but was quite the dancer in his early days and was a chorus boy in New York. This is the scene in the original movie, complete with some wonderfully wooden acting.